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A Gripping and Tearjerking Account of One Man's Struggle to Get an A in an Honors Course
Monday, April 30, 2012
Friday, April 20, 2012
The Father, Son, and Bill Maher
I don’t
know whether or not any of you have seen (or have heard of) the 2008 movie “Religulous,”
but it’s the topic of my discussion today. The gist of the movie is essentially
that Bill Maher, comedian and host of the show “Real Time with Bill Maher,”
goes out and interviews numerous people of varying religious backgrounds and
affiliations, asking them about their beliefs and why they hold them. Now Maher
makes it no secret that he is far from religious; some might say he is
anti-religious. Whatever the case, the movie is a bit misleading for me. While
it presents itself as a documentary, I find the discourse in this movie to be
pretty frustrating, and quite far from civic.
For some reason, I can't embed the clip I want to show you, but you can find it here. Maher is, obviously, the guy with the slicked hair
asking the questions to the truckers from the pulpit. Now I understand that
Maher is a comedian, and he has an audience in mind that is going to be
expecting comedy, but it bothers me that he isn’t really doing a documentary so
much as he is simply making religion look foolish. As much as I love comedy,
and Bill Maher is no exception, I also really like discussing religion. Now
this isn’t an invitation to comment on this blog with your idea of what is “right,”
I’m just stating this because the movie creates a conflict for me. I’ll admit
it, many parts of the movie are funny, and I think Bill Maher is a smart guy,
but in this particular clip, as is the case in much of the movie, he doesn’t
try very hard at all to portray two sides to an argument; it just seems here
like he’s trying to pick a fight with a few guys that probably aren’t educated
enough to defend themselves properly. But what do you think? Is this only
classifiable as comedy, or is there actually something to be taken away from
this?
Friday, April 13, 2012
Haha, "Santorum"
I
realized this week that it doesn’t take much to understand political
motivation. Rick Santorum, who just this week dropped out of the Republican
Primary, is a perfect example. If one would pay attention to what he says and
actually consider it from speech to speech, one would start to wonder how much
he cares about policy as opposed to simply gaining office. For weeks, Santorum
has been campaigning against Mitt Romney, portraying himself as a conservative
alternative to the former Massachusetts governor. Consistently, he has placed
himself at odds with Romney, and has called him everything from “liar” to “flip-flopper”
to name a few of the pathetic bids seen here [ http://abcnews.go.com/Politics/OTUS/santorums-romney-attack-script-fodder-obama/story?id=16116627
]. He has criticized nearly everything about him and has been constantly
eroding Romney’s character; understandably so, since he was running against
him. My problem here is that despite it all, throughout everything that has transpired,
Santorum will never have me convinced that he wants the best for America. Why?
Santorum
said that, if asked, he would “of course” be Romney’s Vice Presidential running
mate. Seriously? He has nit-picked at everything, has called him “the worst
Republican in the country” [http://washington.cbslocal.com/2012/03/27/santorum-of-course-i-would-serve-as-romneys-vice-president/],
and has shown by running for the nomination against Romney that he clearly
doesn’t want Romney to be president. So he tells the Christian Broadcasting
Network that he would gladly serve as his Vice President? How does this make
sense? The exigence has suddenly changed from “Romney must lose” to “Romney ain’t
half bad.” It is clear to me that this was a kairotic moment for Santorum’s
campaign. It is no coincidence that he said this shortly before dropping out of
the race; Santorum seems to have realized that he couldn’t win for whatever
reason, so now he’s cutting losses and planning to jump aboard the Romney
train. If you can’t beat ‘em, join ‘em, I suppose.
Friday, April 6, 2012
Meat Isn't Murder, but it May Murder Us
I found this video recently while perusing the internet. You don’t have to watch the whole thing; the general gist of the video is that we as Americans consume around eight times more meat than we need to, and Mark Bittman lays out a very succinct timeline of how this happened and why it is bad. Now I know what you’re thinking—Oh, great, another bleeding heart hippie telling us why meat is murder. Don’t jump to conclusions, though; the argument he makes isn’t the typical vegetarian argument.
Now first and foremost, what made me believe what he was saying is that this man himself is a food critic for the New York Times. When I see that as someone’s credentials, I’m pretty willing to believe just about anything they say about food and diet. This alone is all he needs in my mind as an ethical proof. His logical proof is atypical as well—While I was expecting him to make a number of arguments about how inhumane the meat industry is, he completely ignored the ethics of meat and instead opted for numbers arguments. The amount of land wasted on livestock, the power the meat industry has over the very government departments that are supposed to be monitoring them, the amount of meat we eat vs. the amount we SHOULD eat, and so forth make for a compelling, fact-based argument that was difficult to disagree with. He makes quite logical and believable points, and it was easy to access as someone who doesn’t have a lot of prior knowledge of the meat industry. The best part though that really contributed to his credibility (for me, anyway) was that he said at the end that, yes, he has eaten quite a bit of meat in his life, and yes, he will probably continue to do so. It proves his point perfectly, because his point isn’t that meat is bad, per se; he just points out that we consume too much, a point with which I can agree after viewing the entire talk.
Thursday, March 22, 2012
Be Bold
While
searching Youtube for a commercial to scrutinize and pass off as a blog, I
found this commercial for the new Blackberry phone. The commercial alone is
somewhat worthy of analysis I suppose, but that wasn’t what made the commercial
rhetorically interesting for me. So first, the basics.
The commercial has an ethical appeal
through the hip young people doing something offbeat and “rebellious,” like
riding a glowing bicycle at night in the city. This could appeal to a younger
audience by possibly associating with them, or it could even appeal to an older
crowd that wants to feel younger, so they’ll buy that phone. The pathos of the
commercial is a little primitive if you think about it; a bunch of pretty
lights and colors that catch the eye and excite the viewer in a base manner. The
logos comes in where the product is actually shown performing one of its
functions: texting. It’s not a very ambitious attempt on the part of the
commercial, but let’s face it: how are you going to have a Glowing Night-Bike
Fleet In The City Party without this Blackberry? Also included under the
logos-umbrella was the use of the Blackberry logo in the end, with a pleasing
baritone voice introducing the product by name. Seems like a pretty standard
commercial, no?
Truth be told, what really caught
my eye was the comments section of the video. Out of the ten most recent
comments, nine were about the bikes and not about the phone. The two top-rated
comments were as well about the bikes, with one of them even saying “all I want
now is a glowing bike… not some phone from a failing company.” Ouch. So to put
this in perspective, this commercial, albeit cool, really did not seem to reach this audience. So what was the problem? Were the glowing bikes too
distracting? Are Blackberrys just not popular enough? Was it just a shitty
advertisement? Is it just Youtube? What do YOU think, Reader???
Thursday, March 15, 2012
That's How I Beat Shaq
I first
saw the above commercial while watching a college basketball game on television.
This is yet another commercial for a product that has virtually zero
information about the product, but includes ethos and pathos bids that somehow
get the product sold. I’ll discuss the rhetorical points about the commercial,
and though I would like to avoid a diatribe, I want to point out this
commercial as a trend in advertising.
Shaquille
O’Neal was a famous basketball player that retired recently, who had a
decorated record in the NBA. This gives the advertisement a good angle for
ethos, since he is so well known as a basketball player and celebrity. Not only
is this important as far as the credibility of the advertisement, but the
kairos calls for a basketball player, since the commercial was aired during a
basketball game. Aside from ethos, the pathos of the advertisement is satisfied
by O’Neal’s the heartwarming recollection of coaching children, and the humor
involved in the “defensive strategy” he talks about. So that’s ethos and pathos…
But what about logos?
The
unfortunate truth is that there is little logos in the advertisement. Yes,
there is some brand recognition by showing the Dove trademark, but otherwise,
what does this advertisement say about the product it is pushing on its audience?
Like the Geico commercial from a previous post, this commercial has just about
no useful information about its product. So as a way to make this blog more
interesting than a few words on a screen, let’s open discussion: Is the lack of
logos in advertising these days a problem, and if so, does the root of the
problem lie with those producing the advertisements, or those consuming the
advertisements?
Thursday, February 23, 2012
How to Understand Car Insurance
If you're reading this blog with
the intention of understanding car insurance once finished, you are going to be
sadly disappointed. Misled by the title? Yeah, that’s how I feel when I watch
any Geico advertisement. Here’s an advertisement of a variety I see more and more these days:
Remember watching this commercial
and saying “You know, that commercial really sold Geico car insurance; I now
understand why most people would find this product more useful than its
competitors”? Yeah, I don’t remember saying it either. This commercial is a
good example of what many commercials these days seem to do. It really plays up pathos and ethos, but it is quite scant indeed
in the logos department. The pathos is obvious; while it may not be comedic
gold, we all know some person that would find this commercial hilarious, and getting your funny bone tickled is pathos apealling to the emotion of
happiness and to humor. The ethos is pretty blunt as well; that hairy
cross-dressed individual makes it abundantly clear that he is speaking with an
all-pro linebacker, Brian Orakpo, a star in what I assume is football. By including a
character in the commercial that an average Joe may be familiar with or that he
can admire, the product sells better. So where’s the logos? Sure, they mention
that you COULD save 15% or more by switching to Geico, but how can you know if you qualify for such savings? Do they give you a statistic? Do you hear about their benefits? No. Geico
commercials are notorious for cramming numerous characters, in-jokes, and
nonsense into their various ad campaigns, but they are frequently lacking when
it comes to facts. So this leads to my question: If Geico constantly airs
advertisements like this one, why are they the third biggest car
insurance company in the country? Don’t people want more facts about their
insurance before signing up?
Thursday, February 16, 2012
Are You Kidding Me?
Perusing
my Facebook newsfeed recently, I saw this video posted by some bleeding-heart
page that I must have Liked at some time or the other. It features one of my
favorite politicians, Dennis Kucinich, sharing his insights on the possibility
of a war with Iran. The video is loaded with a number of rhetorical devices,
and some of his statements work on more than one level, which is to be analyzed…
Right now.
Early
in the video, at about 0:30, he poses a question to his audience, “How would we
feel if an Iranian aircraft, manned or not, was intercepted near the American
Coast?” Though he goes on to answer the question with what he thinks would
happen, the format of the question itself is one with which many of us are
familiar, the classic “How would YOU feel if…” question. While it is a typical
strategy of, say, a kindergarten teacher reprimanding the class bully, the
question is still a good use of Pathos, since one has to ask himself how he
would feel about reciprocity of his actions. The answer he gives is justified
through Logos, as he states that any nation has the same rights to sovereignty
that the US does, a conclusion he reaches through a logical deduction. He goes
on to pose a rhetorical question, “Did we run out of wars to escalate?” Now I
know this is plainly sarcastic, but it is still a good use of a rhetorical
question because it gets his audience thinking about why we would need to start
another war without even mentioning Iran. He finishes off with a Logos bid
supplemented with some Pathos, stating some statistics about the millions of uninsured
and unemployed residing in the US. The raw statistics are Logos, as they are
just plain facts, but choosing unemployment and insurance coverage can play to
an audience’s sympathy with the less fortunate of the nation.
In
my opinion, disregarding whether I agree with him or not, Dennis Kucinich is a
good guy. He stands up for his beliefs, even if they are unpopular, and he
seems to have a great deal of conviction and integrity. Also, he has a pretty
hot wife. My view of his good ethics go to show me that just because someone is
skilled in the art of rhetoric, even if he is a politician, doesn’t mean that
he is an underhanded or bad person.
Thursday, February 9, 2012
You feelin' lucky?
Of course I had to pick this video
for the RCL Blog. It's a brilliant video for a number of reasons, and its full
of rhetorical strategies, particularly ethos. The one and only Clint Eastwood
is the narrator, likely since his image is a well-known one, and to have
someone as popular as him as a spokesperson will make people pay attention to
the advertisement.
The first example of ethos-based
dialogue contributing to the message is at about 0:40, when Eastwood says “I’ve
seen a lot of tough eras in my life, a lot of downturns…” This contributes to
Eastwood’s credibility in his age; being so old, he can reassure the audience that
this downturn will not be the end of America. It is one slice of the entire
first half of the commercial that is spent laying out the problems that America
has now, and the problems that we have faced in the past. By putting these
problems on the line now, it makes the feeling of hope all the more powerful
when, in the second half, Eastwood gives a moving monologue about the solutions
and our willpower.
In the second half of the video, Eastwood
starts saying things along these lines, “But after those trials, we rallied
around what was right, and acted as one… Because that’s what we do.” This is a
complete turnaround from the beginning of the video, and it really amplifies
the audience’s feeling of hope when the mood changes so quickly. Furthermore,
the use of images like firemen, families, and a father dropping his child off
at school evoke feelings of traditional down-hominess in the American audience.
So while this is a great example of
rhetoric, all of this is a little underhanded. Sure, it makes the audience feel
proud to be Americans and all that jazz… But you know what? It’s all to sell Chrysler
vehicles. Tell me you don’t feel duped after that. “We’re America, we can
recover from this, and we’re a strong and proud people that won’t stay down!
Now buy a Chrysler.”
Friday, February 3, 2012
Whoops
Holy Mitt
Here we have Mitt Romney’s victory
speech from Tuesday night, after winning the Florida primary with a 15% margin.
It is a perfect example of a deliberative speech, and understandably so due to
the clear political nature of it. While there is overwhelming evidence that it
is deliberative, there are some questions I would like to relay off the
audience before coming to conclusions.
Romney starts listing his qualifications at
about 3:48. While this is an understandable and obvious use of Ethos, he kind
of goes overboard eventually. At 4:07, he makes a statement simply dripping with
Ethos, concerning how he purportedly “saved the Olympics from scandal.” Despite
the validity of such a statement, of COURSE he goes on to mention how “proud”
the US Athletes made us. As much as I want a president that is good at
complimenting American Athletes (since they don’t get enough praise as it is),
it was politically irrelevant. Nonetheless, it credits his character well with
his American audience. Furthermore, he discredits Obama all over the place.
While it isn’t directly a boost to his character, it does degrade the credibility
of his opponent, which makes him look better in comparison. Such plays to Ethos
are typical of deliberative speeches, as we typically think of people we want changing
the future of our country as people with credibility and character.
However, I do want to know… Could
this speech be considered forensic in any way? Or even epideictic? He does
reference the past quite a bit as far as his accomplishments are concerned,
which seems forensic to me. Also, the whole reason for the speech seems
Epideictic, as it is a ceremonial speech a politician gives to their supporters
after a state votes in the primary. Is it possible for a speech to have
elements of more than one type of speech, or am I just not grasping the concept
correctly?
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